The Leica APO-Summicron-SL 35mm F2 ASPH is a fast, moderately wide prime lens for Leica, Panasonic, and now Sigma L-mount cameras. Leica’s APO designation means that this is one of their best, most highly-corrected models. ...
The announcement of the full-frame mirrorless Z camera system in August 2018 was a bold step for Nikon. Not only do the new Z6 and Z7 camera models do away with the mirrors and optical ...
The Nikkor Z 24-70mm f/2.8 S lens has the Nikon Z mount and is designed for use with Nikon’s new mirrorless cameras. It sits alongside the Nikkor Z 24-70mm f/4 S, which was introduced with ...
Announced at Photokina last year alongside Canon’s first full-frame mirrorless camera, the EOS R, the Canon RF 28-70mm F2.0 L USM is the world’s fastest 28-70mm zoom lens. As a large-aperture zoom, it has a ...
Announced at the CES event in Las Vegas in January, the Nikkor Z 14-30mm F4 S is a constant-aperture, moderate-speed, ultra-wide zoom that will appeal to a wide range of users. As the second F4 ...
Canon announced the RF 50mm f/1.2L USM at the same time as the EOS R, its first full-frame mirrorless camera. Consequently, it has the Canon RF lens mount that has a diameter of 54mm and ...
One of the original three lenses launched alongside the mirrorless Nikon Z cameras, the Nikkor Z 35mm f/1.8 S is a moderately fast, mildly wide-angle prime lens designed specifically for the Nikon Z system. The ...
The Nikkor Z 24-70mm F4 S is a constant-aperture, moderate-speed zoom for the full-frame mirrorless Nikon Z-series cameras and is offered as a kit lens for both the Nikon Z 6 and the high-resolution Z ...
Announced as part of a trio of lenses for Nikon’s new full-frame mirrorless Z system, the Nikon Nikkor Z 50mm F1.8 S is a moderately fast standard lens with a relatively complex optical design. It ...
Sigma introduced the Art version (A) of its 24-70mm f/2.8 lens in February 2017, bringing with it the familiar if somewhat subdued cosmetic design of the company’s Art series models, along with optical image stabilization ...
Sigma introduced the Art version of its 24-70mm f/2.8 lens in February 2017, bringing with it the familiar-looking exterior design with a mix of metal and “thermally stable composite” material, along with rubber sealing around ...
Tamron introduced the second generation (G2) of its popular 150-600mm f/5-6.3 Di VC lens in September 2016, bringing a new look to match that of more recent SP optics, along with improved weather sealing. Inside, Tamron ...
Sony’s FE 16-35mm f/2.8 GM lens is part of its flagship G Master line of performance optics. With this lens, Sony strove for both peak performance and consistency across its focal range — and the ...
As the only lens reaching 400mm currently in the lineup, the Sony FE 100-400mm F4.5-5.6 GM OSS is an important addition for Sony full-frame E-mount cameras such as the action-oriented A9 and some A7 variants. ...
The Sony FE 100mm F2.8 STF GM OSS is a short-telephoto prime for Sony full-frame mirrorless E-mount cameras such as the high-end a9 and the earlier A7 models. Besides being a G-Master model with high-grade ...
Announced in September 2016, the Sigma 500mm f/4 DG HSM S (Sigma 500mm f/4) is a super-telephoto prime lens for professional sports, wildlife, and press photographers, and for paparazzi. Available in Sigma, Nikon, and ...
Renowned German lens manufacturer Carl Zeiss’s latest Milvus range of DSLR lenses for Canon and Nikon are marketed to offer high-quality optical performance in a similar price bracket to such high-resolution options as Sigma’s ...
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